We play Suspiria in Australia, New Zealand, and England - everywhere, you know? Even in America, not on tour, but we play one or two times. Have you found that American audiences react to your Suspiria score or certain parts of the film in ways that are different from other audiences?ĬS: No, it’s the same wherever we go to play because it’s a very well known film. I’m not sure if you have time, but I’d be happy to connect you.ĮA: You’ve played a decent number of shows on this tour. That’s why.ĮA: It’s not too far from The Orange Peel. I really would like to meet someone from Moog because, you know it’s a dream for every keyboard player. I’ve played in Asheville once, but I never visited the store. Moog was the first and I think the best synthesizer ever made.ĮA: Have you ever visited the Moog factory or store here?ĬS: No. After arrived other synthesizers, like Roland and Kawai and others, but in ’75 and ’76, we can just use or Thunder Piano and Moog. Maybe just the ARP, but the biggest, the only one was always Moog. But I also use my Minimoog.ĮA: What made you decide to work with a Moog?ĬS: You know what? Because in the ‘70s, there weren’t really any synthesizers besides Moog. Yeah, the city of the Moog, yes, and I use the big Moog System 55, the same that Keith Emerson used normally in the ‘70s. Which ones exactly are those?ĬS: Oh, of course. Interview resumed a week and a half later.ĮA: Yeah, home of Moog Music, whose synthesizers you appropriately enough used on the Suspiria score. Normally, now, when you have a film, you have a… Sometimes we play over, but it’s the same. So I did a lot of work for us to let us play the music exactly like the original. We had just the original soundtrack, so the difficulty was to arrange that we can play over the scenes where the music exists, especially when they talk. So, the soundtrack is exactly the same of the original, just the difference that it’s played live, of course.ĮA: What are the most challenging parts of this score to perform live?ĬS: You know, the problem with the film was that we didn’t have any separate tracks for the film. But the music, we exactly play with the same instruments like original. So, we just put something new during film, just improvising, doing something that where there was not music originally. So this is the first tour of Suspiria played live.ĮA: Are there any adjustments you’ve made for this tour to change or improve the performance?ĬS: Actually, we play Suspiria, I remember the first time they asked us to play Suspiria was in Ireland and then we also play also in Australia and many places in Europe as well, but we decide just to play live the music exactly the same way like the film is. We started with the first gigs of Suspiria maybe five years ago and we play live anywhere, but never in the States like this. Via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Edwin Arnaudin: How did the opportunity for this live-score tour of Suspiria come about?Ĭlaudio Simonetti: Yeah, are many years that we are doing Suspiria live. Includes unlimited streaming of Demons - Soundtrack Demon – Simonetti Horror Project version – 1990 Demon’s Louge (Previously Unreleased Song)ĥ. Reproducion of the Original Mask of the film (HandMade) by the artist Marina LodiĬertificate of Autheticity Signed by Claudio Simonettiġ. Ultra Deluxe limited Gatefold Box Edition. Deluxe Box release of the Iconic Horror Film soundtrack firmed by Claudio Simonetti for the Horror/Gore movie Demons by Dario Argento and Lamberto Bava. Oinciding with DEMONS 35th anniversary, Rustblade & Claudio Simonetti celebrates this anniversary with a deluxe version of the famous soundtrack.
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